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The finish is rather long, not too drying, curiously, with some notes of peach skin. Nose: funnily very similar aromatically at first nosing, but soon to become very ‘exotic’ and fragrant, with some dried longans, rambutans, arak again, overripe strawberries, fruits au gratin, Something quite hot, like the foreshots of a fruit eau de vie, or a basket of rotting fruits. Quite some mint again but far less than in its older brother.

A tale of ambition, love, revenge, jealousy and 21st-century science, it's based on two years of research by journalist turned playwright Jonathan Maitland.

It was a voice that sounded like it came from another time, echoing Sarah Vaughn, Billie Holiday and Janis Joplin. She never made apologies for her personal demons, and the success of "Rehab" even made them her calling card.

Her 2006 album , a refreshing and stylish blend of modern and classic R&B that appealed to a huge cross-section of music fans, was an instant classic, selling close to 10 million copies worldwide. Her fucked-upness was part of her appeal, and if she could accept it, perhaps we could, too?

But even with only a few dozen recorded tracks to her name, Winehouse was already an icon: a badass little Jewish girl with a cartoonishly massive beehive and exaggerated swooshes of eyeliner who found room between all the tattoos and scars from cutting to wear her heart on her sleeve.

Moreover, there was just an undeniable power in her voice -- husky and sultry and sad, like a broken heart marinating in whiskey and cigarette smoke. soul singer Adele, just one of several artists for whom Winehouse undeniably paved the way."Rehab" was Winehouse to a T: wise-cracking, defiant, self-deprecating and somehow hopeful.

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